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"A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become." - -W. H. Auden
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Mit Gewitter und Sturm - Part of No. 2
from Act I of the German opera, Der Fliegende Holländer by Richard Wagner
Libretto : Richard Wagner
- Role : The Steersman, the mate of Daland's vessel
- Voice Part : tenor Fach : lyric tenor
- Setting : A ship docked in a fjord during a storm, the coast of Norway, 18th century
- Range : D3 to A#/Bb5. Tessitura : G3 to G4
- Synopsis : During a storm, the Steersman is on watch. To keep himself awake, he sings a ballad about his beloved who misses him.
- Sound file : none
- Translation and/or Aria Text : Libretto entered by Stephen L. Parker and Andrea Kirkby.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera - Classical Vocal Reprints, 1-800-298-7474. Catalog #P340 (Brecher), also available in Schrimer from Music Mart.
Die Frist ist um…Wie oft in Meeres tiefsten Schlund - No. 3
from Act I of the German opera, Der Fliegende Holländer by Richard Wagner
Libretto : Richard Wagner
- Role : The Dutchman, a man destined to sail the seas forever
- Voice Part : baritone Fach : dramatic baritone
- Setting : A ship docked in a fjord during a storm, the coast of Norway, 18th century
- Range : G2 to F4. Tessitura : B3 to D#/Eb4
- Synopsis : The Dutchman has been condemned to sail the seas forever with his only respite coming every seven years. The seven years have at last passed again and the Dutchman is to go on land again. The only thing he truly wants, though, is death but he is not allowed to die.
- Sound file : none
- Translation and/or Aria Text : Libretto entered by Stephen L. Parker and Andrea Kirkby.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera - Classical Vocal Reprints, 1-800-298-7474. Catalog #P340 (Brecher), also available in Schrimer from Music Mart.
Traft ihr das Schiff - No. 7, Ballad
from Act II of the German opera, Der Fliegende Holländer by Richard Wagner
Libretto : Richard Wagner
- Role : Senta, Daland's daughter
- Voice Part : soprano Fach : dramatic soprano
- Setting : A room in Daland's house, Norway, 18th century
- Range : C#/Db4 to G5. Tessitura : C#/Db4 to E5
- Synopsis : When her friends ask her to sing, Senta sings a song about the man who is doomed to sail the seas forever, only coming ashore every seven years. If he finds a wife while he is ashore, however, he will be allowed to stay ashore. Senta wishes to be the woman that keeps him ashore.
- Sound file : none
- Translation and/or Aria Text : Libretto entered by Stephen L. Parker and Andrea Kirkby.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera and aria alone - Classical Vocal Reprints, 1-800-298-7474. Catalog number for aria : #1614, for score : #P340 (Brecher), also available in Schrimer from Music Mart.
Mögst du mein Kind - No. 10
from Act II of the German opera, Der Fliegende Holländer by Richard Wagner
Libretto : Richard Wagner
- Role : Daland, the captain of a Norwegian ship
- Voice Part : bass Fach : lyric bass
- Setting : A room in Daland's house, Norway, 18th century
- Range : A3 to D4. Tessitura : D3 to D4
- Synopsis : Daland comes to Senta with the Dutchman. He has offered her hand in marriage to the Dutchman and now asks her if he is acceptable to her.
- Sound file : none
- Translation and/or Aria Text : Libretto entered by Stephen L. Parker and Andrea Kirkby.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera - Classical Vocal Reprints, 1-800-298-7474. Catalog #P340 (Brecher), also available in Schrimer from Music Mart.
Willst jenes Tag's du nicht - No. 15
from Act III of the German opera, Der Fliegende Holländer by Richard Wagner
Libretto : Richard Wagner
- Role : Erik, a hunter
- Voice Part : tenor Fach : dramatic tenor/heldentenor
- Setting : The bay near Daland's house, Norway, 18th century
- Range : F3 to A#/Bb5. Tessitura : G3 to G4
- Synopsis : Erik tries to convince Senta to come back to him, reminding her of the love that they once had for each other.
- Sound file : none
- Translation and/or Aria Text : Libretto entered by Stephen L. Parker and Andrea Kirkby.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera - Classical Vocal Reprints, 1-800-298-7474. Catalog #P340 (Brecher), also available in Schrimer from Music Mart.
Nein! länger trag’ ich nicht…Durch die Wälder, durch die Auen - No. 3, Recitative and Aria
from Act I of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
- Role : Max, a forester
- Voice Part : tenor Fach : spinto
- Setting : An open space in front of a tavern in the woods, Bohemia, middle of the 17th century
- Range : C3 to A5. Tessitura : F3 to G4
- Synopsis : Max wants badly to win the shooting contest held by Prince Ottokar. If he does, he will become the new head forester and will get to marry his beloved Agathe, the old head forester's daughter. However, he has just lost another contest to a peasant and believes that he will not win. He sings of his anguish and of the loss of his happy life.
- Sound file : none
- Translation and/or Aria Text : Translation by Robert Glaubitz.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera and aria alone - Classical Vocal Reprints, 1-800-298-7474. Catalog number for aria : #1528, for score : #50337 (MacFarren). Buy vocal score online at Sheet Music Plus.
Hier im ird 'schen Jammerthal - No. 4, Lied
from Act I of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
Schweig', schweig'! damit dich Niemand warnt - No. 5
from Act I of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
- Role : Caspar, a forester
- Voice Part : bass Fach : heavy bass
- Setting : An open space in front of a tavern in the woods, Bohemia, middle of the 17th century
- Range : F2 to E4. Tessitura : C#/Db3 to D4
- Synopsis : After Max agrees to go with Caspar to the Wolf's Glen to obtain some "free" bullets (bullets from the Devil that always hit their mark), he leaves. Caspar, brimming with feelings of revenge, sings of the triumph he will have when he fulfills his debt to the Devil by delivering Max to him.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Richard Bogart and Giovanni Christen from OperaGlass.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera and aria alone - Classical Vocal Reprints, 1-800-298-7474. Catalog number for aria : #1553, for score : #50337 (MacFarren). Buy vocal score online at Sheet Music Plus.
Kommt ein schlanker Bursch gegangen - No. 7, Arietta
from Act II, Scene 1 of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
Wie nahte mir der Schlummer…Leise, leise, fromme Weise - No. 8, Recitative & Aria
from Act II, Scene 1 of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
Und ob die Wolke sie verhülle - No. 12, Cavatina
from Act III of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
Einst träumte meiner sel'gen Base - No. 13, Romance
from Act III of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
Trübe Augen, Liebchen - No. 13, Lied
from Act III of the German opera, Der Freischütz by Carl Maria von Weber
Libretto : Friedrich Kind
Da geht er hin
from Act I of the German opera, Der Rosenkavalier by Richard Strauss
Libretto : Hugo von Hofmannsthal
- Role : The Marschallin, Princess von Werdenburg
- Voice Part : soprano Fach : spinto
- Setting : The boudoir of the Marschallin
- Range : Has not been entered yet.
- Synopsis : Looking at her face in the mirror, the Marschallin studies the lines of age on her face and worries about the time when she will be an old woman.
- Sound file : none
- Translation and/or Aria Text : none
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera - Classical Vocal Reprints, 1-800-298-7474. Catalog #VSBO. Buy vocal score online at Sheet Music Plus.
Heut oder Morgen
from Act I of the German opera, Der Rosenkavalier by Richard Strauss
Libretto : Hugo von Hofmannsthal
Di rigori armato
from Act I of the Italian opera, Der Rosenkavalier by Richard Strauss
Libretto : Hugo von Hofmannsthal
Wie Du warst!
from Act I of the German opera, Der Rosenkavalier by Richard Strauss
Libretto : Hugo von Hofmannsthal
Da schlägt des Abschieds Stunde
from Act I of the German opera, Der Schauspieldirektor by Wolfgang Amadeus Mozart
Libretto : Gottlieb Stephanie, Jr.
- Role : Madame Herz, a singer
- Voice Part : soprano Fach : dramatic coloratura
- Setting : none in particular
- Range : Has not been entered yet.
- Synopsis : This aria is sung to demonstrate Madame Herz's skill as a singer. She sings about a parting with someone named Damon and how even though they will be apart and he may forget her, she will accompany him still in spirit if not otherwise.
- Sound file : none
- Translation and/or Aria Text : none
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Buy vocal score online at Sheet Music Plus.
- What this is : Mozart wrote the music to go along with this theatrical work (to call it either a play or an opera is going too far, I feel) about a traveling troupe of performers which includes three singers.
Bester Jüngling
from Act I of the German opera, Der Schauspieldirektor by Wolfgang Amadeus Mozart
Libretto : Gottlieb Stephanie, Jr.
- Role : Madame Silberklang, a singer
- Voice Part : soprano Fach : lyric coloratura
- Setting : none in particular
- Range : Has not been entered yet.
- Synopsis : This aria is sung to demonstrate Madame Silberklang's skill as a singer. She sings that she will accept the love of someone (it is not stated who that is) because there is nothing more precious to her.
- Sound file : none
- Translation and/or Aria Text : none
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Buy vocal score online at Sheet Music Plus.
- What this is : Mozart wrote the music to go along with this theatrical work (to call it either a play or an opera is going too far, I feel) about a traveling troupe of performers which includes three singers.
Die Freiheit Rom's - part of No. 4, Finale
from Act I of the German opera, Rienzi by Richard Wagner
Libretto : Richard Wagner
- Role : Cola Rienzi, Roman tribune
- Voice Part : tenor Fach : dramatic tenor/heldentenor
- Setting : a street in Rome, Italy, middle of the 14th century
- Range : F3 to A5. Tessitura : F3 to F4
- Synopsis : Rome is in chaos because of battles between the houses of Colonna and Orsini. Rienzi is able to stop the riot and sends the fighting parties out of Rome to continue their dispute. Afterwards, he encourages the Roman citizens to reinstitute Rome's freedom from tyranny by passionately reminding them of the old tradition of Roman freedom.
- Sound file : none
- Translation and/or Aria Text : Libretto entered by Robert Glaubitz.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : Score of opera - Classical Vocal Reprints, 1-800-298-7474, Catalog : #ST07 (Schott). Buy score online at Sheet Music Plus.
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