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"If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. . . . The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni."

-W.H. Auden

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8 arias found matching your criteria.
No. 1-8 displayed in alphabetical order by opera.


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Anch'io dischiuso un giorno
      from Part II : L'Empio, Scene I of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


O dischius'č il firmamento - Preghiera
      from Part IV : The Broken Idol, Scene 2 of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


Come notte a sol fulgente - Cabaletta for D'Egitto la su i lidi
      from Part I : Jerusalem of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


Dio di Giuda
      from Part IV : The Broken Idol, Scene 1 of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


D'Egitto lą su i lidi - Cavatina
      from Part I : Jerusalem of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


Tu sul labbro - Preghiera
      from Part II : L'empio, Scene 2 of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


Salgo gią del trono aurato - Cabaletta for Anch'io dischiuso un giorno
      from Part II : L'empio, Scene 2 of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera


O prodi miei, seguitemi - Cabaletta with chorus for Dio di Giuda
      from Part IV : The Broken Idol, Scene 2 of the Italian opera, Nabucco by Giuseppe Verdi
      Libretto : Temistocle Solera

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