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"Since music is a language with some meaning at least for the immense majority of mankind, although only a tiny minority of people are capable of formulating a meaning in it, and since it is the only language with the contradictory attributes of being at once intelligible and untranslatable, the musical creator is a being comparable to the gods, and music itself the supreme mystery of the science of man, a mystery that all the various disciplines come up against and which holds the key to their progress."

-Claude Lévi-Strauss

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6 arias found matching your criteria.
No. 1-6 displayed in alphabetical order by opera.


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Sotto il paterno tetto...Oh potessi nel mio core
      from Act I, Scene I of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Parmi che al fin quest' anima...Da tanta gioia assorta
      from Act I, Scene II of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Oh, chi torna l'ardente pensiero?...Più che i vezzi e lo splendore
      from Act II, Scene I of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Son fra voi! Già sorto è il giorno...Già parmi udire il fremito
      from Act I, Scene I of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Ciel che feci?
      from Act II, Scene II of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


L'orror del tradimento...M tu superbo giovane
      from Act I, Scene II of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera

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