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  • Opera-Oberto Conte di San Bonifacio
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"Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake."

-W. H. Auden

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6 arias found matching your criteria.
No. 1-6 displayed in alphabetical order by opera.


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Sotto il paterno tetto...Oh potessi nel mio core
      from Act I, Scene I of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Parmi che al fin quest' anima...Da tanta gioia assorta
      from Act I, Scene II of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Oh, chi torna l'ardente pensiero?...Più che i vezzi e lo splendore
      from Act II, Scene I of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Son fra voi! Già sorto è il giorno...Già parmi udire il fremito
      from Act I, Scene I of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


Ciel che feci?
      from Act II, Scene II of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera


L'orror del tradimento...M tu superbo giovane
      from Act I, Scene II of the Italian opera, Oberto Conte di San Bonifacio by Giuseppe Verdi
      Libretto : Antonio Piazza, attributed in score to Temistocle Solera

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