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Your search criteria were:
"If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. . . . The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni."
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Caro nome
from Act I, Scene II of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
Tutte le feste al tempio - part of a duet
from Act II of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
Questa o quella - Ballata
from Act I, Scene I of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
Parmi veder le lagrime
from Act II of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
La donna č mobile - Canzone
from Act III of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
Pari siamo
from Act I, Scene II of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
Possente amor mi chiama - Cabaletta for Parmi veder le lagrime
from Act II of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
Cortigiani, vil razza dannata
from Act II of the Italian opera, Rigoletto by Giuseppe Verdi
Libretto : Francesco Maria Piave
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